Joshua Lubin-Levy is a writer, curator and dramaturg based in New York. His dissertation, "Uncollectible: Jack Smith and Performing the 'Hatred of Capitalism'" (Performance Studies, NYU) centers on the artist, performer and filmmaker Jack Smith, looking at the intersection of dematerialization and collection defying arts practices that emerge within postwar American art. He writes between the disciplines of performance, queer theory, contemporary marxist philosophy, and critical approaches to race, gender and sexuality. He is a Visiting Assistant Professor in Theater and Performance at Bard College, and a Joan Tisch Teaching Fellow at the Whitney Museum of American Art. In 2016 - 2017 he completed the Critical Studies Program in the Whitney Independent Study Program, and served as the Interim Director of Visual Arts at Abrons Arts Center during 2015 - 2016. His curatorial project and dramaturgical collaborations include Subject To Capital (2016); Bilderatlas (2016); Fred Herko: A Crash Course (2014); Ephemera As Evidence (2014); and Living Labor: Marxism & Performance Studies (2014) and he has worked with a range of organization including Artist Space, The Kitchen, PS122, New York Live Arts, New York University, and The New School, among other.